…I cannot like the scent,
Yet I would rather give up others more sweet,
With no meaning, than this bitter one
(Old Man – Edward Thomas)
Initially, like Thomas’s “Old Man,”
this pungent smell is difficult to place :
familiar – both bitter and yet sweet –
it does not chime with me like other scents.
Hovering on thick air like memories,
it stops me in my tracks and makes me think :
arriving in fresh waves, just like the past,
it leads me to a hedge across the street.
Carefully shaped : dark leaves cut trim and close,
do not disclose the very thing I seek
but, where the shears have missed a growing tip,
tiny white spikes of flowers now persist.
There, softly in late sun, scent speaks to me :
transports me down the vista of the years
to where an old man, dressed in corduroy,
flashes quick shears, watched by a lonely boy.
DARK
As life's a bitch I worry about time
And seek enough to endure my small pain :
To see my words dance in a glowing line,
Turn into verse that proudly bears my name.
When looking up into a clear blue sky
I trace the jet trails high above the strand,
And wonder if I'll ever live to share
The magic and romance of distant lands.
Then thinking, my sweet lady, of the day
That's sure to come when I see you no more,
Never again delighting in your ways
Or with your perfect love to rest secure –
At fate's lousy joke, I'll laugh if I can –
Life happens when you're busy making plans.
“Patrick B. Osada …is a writer who combines accessibility with a fine appreciation of an enormous range of forms... an intrepid and important new English voice." Will Daunt: ENVOI
“Osada is a poet able to work with emotion, a poet who can take small events and small places, observe them precisely and elucidate them with a deft touch to reveal our shared humanity and the moments of connection." Jan Fortune-Wood: CINNAMON PRESS
How do we live our lives? – In hope or despair?
Whilst some navigate the world with careful planning, others are reactive and impulsive…what part is played by destiny, chance and happenstance?
In Choosing the Route Patrick Osada celebrates life’s journey.
His poems are insightful and engaging. He views the natural world and human relationships with compassion and sometimes through the lens of sardonic wit.
From the lyrical lament of star-crossed lovers, to a gritty exploration of divorce, his poems shift in shape and time, yet retain a remarkably honest, authentic and demotic voice.
Whoosh! Like a force of nature they arrive…
Starlings. This boisterous, squawking, noisy mob,
strutting, uncouth gang, intimidate all
cautious birds : dunnocks, chaffinch, secret wrens.
Spreading across the feeding site, they clear
spilt grain, steal perches from the smaller birds.
Clumsily they ride the feeder’s wild swing –
scattering seed on hooligans below,
stabbing at brave sparrows, bluetits, finches
whose presence threatens to disrupt the show.
Leaving as quickly as they came, this flock-
of-one-mind swarms a laden apple tree
to ruin near-ripe fruit with casual pecks.
Then off again, a ragged hurtling mass,
to pounce on fields, string power lines like beads.
At day’s close they rise as one : this wheeling,
darkling flock shape-shifts in a setting sun.
Across the land a ritual soon repeats :
sharing a common pulse they turn, turn again,
flocks swoop fields, skirt factories, circle streets
as they follow weird tracks through empty air –
invisible to all but these strange birds.
At old Bisham two golfers have to wait
as starlings drive the fairway of the eighth;
like swarming bees they funnel single file,
descend upon an ivy-covered trunk
to disappear completely – swallowed up…
Creating, from a tree and avian clan,
a trembling, cackling sight of the Green Man.
THE VEERY BIRD
(Catharus Fuscesceus)
It was the twittering that brought them here,
texts, blogs, directions on a birder’s site.
Along the road they came in droves : same clothes –
their colours uniform, all browns and green –
same team supporters, late for their big match.
And locals joined in too : small boys on bikes,
men with hoes, abandoned their allotments
to lean on gates and watch these twitchers pass;
even young lovers marry with the queue :
desire now focussed on a migrant bird.
Labouring at the rear, a fat man sweats
in camouflage, long lenses ready set
to catch history if he’s not too late…
But late he was – murder was committed :
he missed the bird, snapped the cat who did it.
“Rare bird flew from US to be eaten by a cat” – Daily Record
Patrick B. Osada is a retired Headteacher living in Warfield, Berkshire, England.
He works as an editor, writes reviews of poetry for magazines and is a member of the Management Team for SOUTH Poetry Magazine.
His first collection, Close to the Edge was published in 1996 & won the prestigious ROSEMARY ARTHUR AWARD.
His second collection, Short Stories : Suburban Lives and third volume, Rough Music, have been published in England by BLUECHROME.
Patrick’s work has been widely published in magazines, anthologies and on the internet.
His poetry has been broadcast on national & local radio and translated into several European languages.
More information about Patrick can be found at www.poetry-patrickosada.co.uk
The day broke from a purple east –
cloud building for the Equinox –
a late owl, hazy crescent moon
were there to share St. Stephen’s feast.
My birthday gifts of ice and snow
still gripped us through till Christmas Day :
cancelled my celebration meal,
as blocked roads kept my guests away.
For days the garden’s hungry birds
fluttered and jostled in their need
at feeders hanging from the wall
whilst others scavenged ground for seed.
Thin pickings for the nervous rat,
driven by hunger to compete
with chaffinch, blackbird and the rest –
I tapped cold glass…a brief retreat.
Like refugees from frozen fields,
a flock of redwings stopped to feed
unnoticed on the roundabout
by harassed shoppers, Christmas Eve.
And all this time a fretful child,
worried that she had no fixed home,
is passed from Mum to Dad and back –
will she find Christmas on her own?
PRESENCE
(At Barbara Hepworth's Trewyn Studios and Museum, St. Ives.)
They should place a sign here reading
"Back in five minutes." Here as left,
Your work smocks hang behind the door,
Tools still lie where they were dropped - work
Has only briefly stopped. It may
Be luck - or artifice, perhaps -
But it's as if you've slipped away.
"Gone out for lunch" or "Popped next door"
Are messages we might expect
Left propped against your last maquette.
Gone thirty years is near the truth,
Yet all seems well and life means all
It ever meant. Out of sight can
Never mean you're out of mind. Your
Garden flourishes as planned, where
Mute sculptures stand as monuments
To talent and to taste. And could
It be the same for everyone -
To slip away as you have done?
To tantalise and seemingly
To wait so close : ephemeral
As scent on air; in the next room
Perhaps, somewhere about the house?
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